Since
I’m on Spring Break, I have found the time to watch a few movies that I’ve
always wanted to see but have never taken the time to see. Earlier this week I watched The Raven, a film directed by James
McTeigue (The Matrix trilogy, V for Vendetta, Star Wars Episode II) starring John Cusack as Edgar Allen Poe. In The
Raven, a serial killer is using Poe’s literature as inspiration, matching
every detail of his gruesome killings to Poe’s horror stories. Upon the film’s ending, I found myself locked
in mental discussion for a good part of the night.
The
film’s depiction of Poe is interesting.
He is an underappreciated and misunderstood writer whose genius the
audience accepts, but his world renounces.
He is looked down on as a drinker and a troublemaker, although he does
have a few admirers. He is involved in a
relationship with a young girl named Emily, though it is behind her father’s
back and she pretends to despise him.
That is threatened to change, however, when she wants to marry him. That revelation could put Poe’s life in
danger from her father, but alas, she doesn’t get the chance. She is kidnapped by the psychotic killer
first. Thus begins a thrilling chase
that will drive the maddened poet to the very brinks of his shaky sanity.
SPOILER
ALERT
After
many twists and turns, Poe faces the killer.
Ironically, the killer is an admirer who considers himself an artist
much the same as Poe. In a desperate
search for his beloved Emily, he makes an agreement with the man. He drinks poison in exchange for being told
Emily’s location. He is able to find her
before the poison takes full effect, and later dies on a park bench, but not
before giving a concerned man information to give to Detective Fields that
leads him to the killer’s identity and subsequent arrest. Given that this is a take about Edgar Allen
Poe, we all knew he was going to die.
That doesn’t stop the ending from leaving us with disappointment.
There’s
a lot to be said for this film. I was
hesitant to watch it at first because I don’t want to be somebody that enjoys
the suffering of others. However, after
reading some reviews of it, I decided to give it a shot. The film is bloody at times, one of the
killer’s murders is done by a swinging blade that cuts into his abdomen, and
another is by a somewhat graphic slitting of the throat. The real depth of the film, though, comes at
the end.
Poe’s
discussion with the killer reveals the murder to be a very disturbed
individual. He is a psychopath, and even
considers himself to be an artist. Poe
recognizes that, showing that he at least has enough sanity to realize the
difference between his stories and the gruesome executions of his
adversary. It is a very scary reality
that he faces. That shows me that we are
dealing with danger when we entertain with violence and bloodshed. The real message, though, comes with Poe’s
sacrifice.
Poe
recounts the story of his beloved wife’s death.
He speaks of his love for her and his horror when she became sick and
started coughing up blood. He says that
after she died his life was left in ruins.
That is, until he met Emily. When
it came down to it, his love for her was selfless. He was willing to sacrifice himself in order
to save her life. Amidst a culture that
professes love as liking that which makes me feel good, this is a refreshing
message. At the end of the film, I did not find myself basking in
the violence. Rather, I found myself
asking the question: would I have made the sacrifice that Edgar Allen Poe made?
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